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Saturday 30 January 2016

‘হতাশ’ নুসরাত ফারিয়া!

নুসরাত ফারিয়া
নুসরাত ফারিয়া১২ ফেব্রুয়ারি কলকাতায় মুক্তি পাচ্ছে যৌথ প্রযোজনার ছবি ‘হিরো ৪২০’। ছবির দুজন নায়িকা বাংলাদেশের নুসরাত ফারিয়া ও কলকাতার রিয়া সেন। ছবিটির প্রচার নিয়ে বর্তমান কলকাতায় অবস্থান করছেন নুসরাত ফারিয়া। প্রচারের অংশ হিসেবে গত মঙ্গলবার কলকাতায় এ ছবির অডিও প্রকাশনা অনুষ্ঠানে অংশ নেন তিনি। মুক্তির আগে আগে এ ছবির প্রচারসহ অন্যসব বিষয়েও কলকাতা থেকে মোবাইলে কথা বলেছেন ফারিয়া।
কেমন হলো অনুষ্ঠান?
ভালো। ‘হিরো ৪২০’ ছবির পাঁচটি গান নিয়ে অডিও সিডির প্রকাশনা হলো। ওখানে ছবির দুজন পরিচালক বাংলাদেশের সৈকত নাসির ও কলকাতার সুজিত মণ্ডল, অভিনয়শিল্পী ওম, রিয়া সেনসহ মোটামুটি ছবির সব কলাকুশলীই উপস্থিত ছিলেন।

ছবির প্রচার নিয়ে কোথায় কোথায় ছুটছেন?
সকাল হলেই ঘুম থেকে উঠে বিভিন্ন দৈনিক পত্রিকা, স্যাটেলাইট চ্যানেলে দৌড়াচ্ছি। ছবিটি ধরে সাক্ষাৎকার দিচ্ছি। এ ছাড়া বিভিন্ন ধরনের ম্যাগাজিনের ফটোশুটে অংশ নিচ্ছি। এর আগে ‘আশিকী’ ছবির মুক্তির আগে কলকাতায় এসেছিলাম। এভাবেই প্রচার চালিয়েছিলাম। কিন্তু এবার ‘হিরো ৪২০’ ছবিটির প্রচার করতে পক্ষপাতিত্বের শিকার হয়েছি। আমি খুবই হতাশ।

কার জন্য এই পক্ষপাতিত্বের শিকার হলেন?

‘হিরো ৪২০’ ছবিরই একজন শিল্পীর কারণে। তিনিই এই দুঃখজনক কাজটিতে ইন্ধন জুগিয়েছেন। তাঁর নাম বলতে চাই না। ছবিতে আমি প্রধান নায়িকা। ছবিতে আমার ‘ও প্রিয়া’ গানটিও এরই মধ্যে দুই বাংলায়ই মোটামুটি জনপ্রিয়তা পেয়েছে। এসব দেখে তাঁর যেন সহ্য হচ্ছে না। আমার কারণে তাঁর ১৬/১৭ বছরের চলচ্চিত্রের ক্যারিয়ার বুঝি গেল—তাঁর ভাবটা ঠিক এমন। ক্ষমতা খাটিয়ে বিভিন্নভাবে বিভিন্ন জায়গায় আমাকে আটকানোর চেষ্টা করে যাচ্ছেন তিনি।

‘আশিকী’ ছবির গান ‘তোর আশিকী’ জনপ্রিয়তা পেলেও ছবিটি সাড়া ফেলেনি। ‘হিরো ৪২০’ ছবির কোনো গানই সাড়া ফেলেনি। এ ছবি নিয়ে কতটা আশাবাদী?হ্যাঁ, ‘আশিকী’ মুক্তির আগে ‘তোর আশিকী’ গানটি যেভাবে শ্রোতারা নিয়েছিলেন, ‘হিরো ৪২০’ ছবির কোনো গান শ্রোতাদের সেভাবে টানতে পারেনি। এ জন্য একটু হতাশই হয়েছি আমি। তবে গান জনপ্রিয়তা না পেলে যে ছবি ভালো হবে না, ঠিক তা নয়। এই ছবির গল্প ভালো। ছবির মধ্যে অনেক মজা আছে। দর্শকেরা ছবিটি দেখতে বসে বেশি বিনোদন পাবেন।

‘আশিকী’ থেকে ‘হিরো ৪২০’ ছবিটিতে নিজের অভিনয় কি এগিয়ে নিতে পেরেছেন? কী মনে হয়?অবশ্যই এগিয়েছে। সব সময়ই দেখবেন একজন নতুন অভিনয়শিল্পীর প্রথম কাজ যতটা না ভালো হয়, পরের কাজটি আরও বেশি ভালো হয়। কারণ প্রথম কাজটি করতে গিয়ে নিজেকে বুঝে উঠতে সময় লাগে। অনেক ভুলত্রুটি হয়। পরের কাজে সেগুলো শুধরে নেওয়ার সুযোগ থাকে। আমিও তাই-ই করেছি। ‘হিরো ৪২০’ ছবির জন্য আমার প্রস্তুতিও ভালো ছিল। এতটুকুই বলতে পারি, এ ছবিতে আমার কাজ ভালো হয়েছে।

নতুন বছরে নাকি নতুন চমক নিয়ে আসছেন?পরের ছবিটি আসলেই চমক। আমার বিপরীতে যিনি অভিনয় করবেন তিনি কলকাতার বাংলা ছবির জনপ্রিয় একজন নায়ক। তবে ছবির নাম, নায়কের নাম এখনই বলতে চাচ্ছি না। এটিও যৌথ প্রযোজনার ছবি হবে। মার্চ থেকে শুটিং শুরুর কথা আছে। এই ছবির জন্য আমার শরীরের ওজন কমাতে হবে। এ জন্য নিয়মিত ব্যায়াম করছি।

Tuesday 26 January 2016

Political failure, hence case against Khaleda: Fakhrul

Star Online Report
BNP acting secretary general Mirza Fakhrul Islam Alamgir today alleged that the government has resorted to filing false cases as it has failed to tackle BNP Chairperson Khaleda Zia politically.
Addressing a press conference at the party’s Nayapaltan central office this afternoon, the veteran BNP leader made the comment.
“To stay in power and establish one party rule, the illegal government has filed a sedition case against Khaleda Zia, the most popular leader in the country.”
This case is a proof that the government wants to keep Khaleda away from politics, Fakhrul observed.
Claiming that the government wants to eliminate the opposition, Fakhrul mentioned that hundreds of cases have been filed against BNP leaders and activists, including Tarique Rahman.
“If the natural and democratic process is hampered, radicalism will get the chance to rise in the country,” Fakhrul observed.

Biometric SIM registration: Tarana unhappy with telcos’ non-cooperation

Star Online Report
State Minister for Telecom Tarana Halim today said mobile phone operators are not cooperating with the government to ensure registration of SIM cards with subscribers’ fingerprints.
The biometric registration of Subscriber Identification Module (SIM) was introduced in December last year to curb terrorism and militancy in the country.
“We have so far received around 300 specific allegations in my Facebook page against the mobile phone operators for non-cooperation in the biometric registration system,” Tarana said.
She came up with the allegations at a meeting at her ministry office with the Telecom Reporters Network Bangladesh.
“I have called the chief executive officers of all mobile phone operators for a meeting on Thursday to talk over their non-cooperation to make the mission a success,” she said.

Dhaka south to get 5,000 bins for cleaner city

Star Online Report
A total of 5000 bins will be set at different points of Dhaka South City Corporation (DSCC) by 2016, its Mayor Sayeed Khokon said today.
“We are trying to raise awareness among people about cleanliness,” he said while addressing a programme of Bangladesh Road Transport Corporation (BRTC) “Clean Dhaka 2016.”
Sayeed Khokon, who was the programme chief guest, also observed that every citizen should play a role in order to keep Dhaka clean and tidy. “Citizens should dump wastes at designated places,” he urged.
SEE ALSO: When foreigners lend a hand to clean Dhaka 
“At first, we will ensure cleaning facilities in the city. Then we will go for strict measures. For example, any defaulter will be fined after the awareness raising programmes are over, but it will take time,” the mayor said.
Sayeed Khokon also informed that such awareness programmes will be carried out throughout the year.
Regarding the development works, the mayor informed that all the city street lights will be replaced with LED lights from February 21, while repair works of some 275 to 300 city roads have already begun.
He urged all the city dwellers to bear with the inconvenience till the repair works are done.
Actor Sabbir Ahmed and actress Bidya Sinha Mim attended today’s programme and expressed solidarity with the move.
Addressing the programme, Mim said, “If everybody cooperates, it is easy to keep Dhaka city clean. Everybody should play their role in the process.”
BRTC Chairman Mizanur Rahman chaired today’s programme.

‘A dollar for you’: Hafeez comes to Amir’s rescue

Dawn
As Mohammad Amir ran in to bowl at the pacy Basin Reserve in Wellington on Monday, a section of the crowd began to taunt him.
Amir must have anticipated such a scenario as he was preparing to make a comeback from a five-year spot-fixing ban.
But what transpired during the first ODI left the 23-year-old disturbed, sources in the team revealed.
As Amir returned to his fielding position on the boundary, an individual from the same section of the stands began waving currency notes.
Observing the situation from a distance, Pakistan’s senior players and former captain Mohammad Hafeez – who had been among the ones most vocal against Amir’s return into the squad – stepped in to the young fast bowler’s rescue.
Hafeez and the other players reported it to the Pakistan team’s security in-charge and the ground staff was requested to intervene. The Basin Reserve’s security proceeded to the stand and issued a sound warning to that individual.
After the match ended, sources said that the person in question was told to ‘behave’ or face ejection from the stadium.
Hafeez and one-day international skipper Azhar Ali were strictly against Amir’s return to Pakistan colours. They went as far as boycotting a national training camp because of the left-arm pacer’s presence.
But Hafeez in particular had taken an extremely harsh stance on the issue. He had reportedly turned down an offer from a Bangladesh Premier League franchise having Amir in their lineup, and refused to face the young fast bowler during one of the nets session at the Gaddafi Stadium.
Hafeez had always maintained that “it is about the image of Pakistan cricket”.
Today in Wellington, donning Pakistan colours, seeing his teammate being sledged at, Hafeez lived up to his words.
In a separate development, a bunch of reporters in Lahore posed a tricky question to PCB supremo Shaharyar Khan after Amir bowled a wide off his first delivery back in ODIs.
Khan, who took over the board’s chairmanship in August 2014, was quick in rubbishing their suspicions.
“A wide and a no-ball in cricket is as natural as winning and losing. I am satisfied with Amir’s performance,” he said.

Expats assured of barrier-free investment climate

Star Online Report
The government will remove all barriers to make the expatriate Bangladeshis’ investment in the country smooth, the expatriates’ welfare and overseas employment minister said today.
Nurul Islam said this when a 17-member delegation of the British Bangladeshis called on him at Dhaka’s Probashi Kalyan Bhaban.
The minister assured the expatriates that they would be provided with all facilities from his ministry for investing in the country.
“The government of Prime Minister Sheikh Hasina is investment friendly and providing all facilities for investment. The trend will continue in the future too,” the minister added.
The government will also produce skilled workforce regarding the demand of the investors by expanding skill training facilities. Now, the government is sending skilled manpower to different countries in the world, he mentioned.
Mejbaur Rahman, chairman of Desh Foundation in the UK, led the delegation while Monowar Hossain, Najinur Rahim, Selim Ahmed Siddique and Mujibul Haque among others spoke at the meeting.
They demanded that the government set up a one-stop service centre for the expatriate Bangladeshis in the country and at the three international airports.
Expatriates’ Welfare Secretary Khandker Md Iftekhar Haider, Bureau of Manpower Employment and Training Director General Begum Shamsun Nahar also informed the expatriates about different activities of the ministry.

Remembering Virginia Woolf with her best novels

Star Online Report
“If you do not tell the truth about yourself you cannot tell it about other people.”-Virginia Woolf on being an honest writer.
One of the foremost modernists of the Twentieth century, Virginia Woolf gained fame for her nonlinear, free prose style which not only inspired her peers but also earned her accolade.
The English writer began writing as a young girl and published her first novel, The Voyage Out, in 1915. Yesterday was her 134th birth anniversary and to commemorate the day we have put together a list of the writer’s most iconic works.
Mrs. Dalloway (1925)
Photo taken from Wikipedia
If you are encountering Virginia Woolf’s writing for the first time, then Mrs Dalloway may be the best to start with. Woolf tells the story of Clarissa Dalloway, a high society English woman in post-World War I in London. Clarissa made her debut on print in Woolf’s first novel- The Voyage out. Woolf explores the society at the time and creates an image of the protagonist’s life through her thoughts, as Clarissa prepares for a party that she is going to host that evening. This book is an example of a stream of consciousness narrative, as the reader gets thrown into Clarissa’s mind and her world, creating a sense of intimacy with this character. It was made into a film in 1997.
Orlando (1928)
Photo taken from Wikipedia
Described by Jorge Luis Borges as Woolf’s ‘most intense novel, and one of the most singular of our era’, Orlando is an enthralling yet accessible read. The novel begins with a male protagonist, an aristocratic who frequents Queen Elizabeth’s court.  It explores key questions of gender and identity set against the backdrop of the characters travelling through time and meeting various important literary figures across the ages. Orlando is a must on any literary fan’s reading list.
To the Lighthouse (1927)
To the Lighthouse is undoubtedly one of Woolf’s most famous novels.  This is a story of three members of the Ramsay family, told from their varying perspectives, To the Lighthouse is a touching story of the hardships this family faces while living in a house on the coast of Scotland. Woolf explores the human fear of change in a new, compelling way, and her ability to make descriptions come to life is one of her greatest tools and one of the reasons that readers are unable to put this book down.
A Room of One’s Own (1929)
Photo taken from Wikipedia
Based on several lectures Woolf delivered at the University of Cambridge, A Room of One’s Own is seen as a feminist literary tract. Woolf argues that great writers are ‘androgynous’ in the sense that they contain both masculine and feminine impulses and sympathies. She also discusses how, if Shakespeare had had a sister of equal talents, ‘Judith’ Shakespeare (as Woolf chooses to call this fictional sibling) would never have made it as a poet and playwright during the Elizabethan era, because she would not have had the opportunities in terms of schooling and stage-acting that her brother enjoyed.  In this essay, Woolf delves into the implications of gender, and claims that without money and a room of their own, women are not able to let their creativity and genius run free.
Between the Acts (1941)
Photo taken from Wikipedia
This was Virginia Woolf’s last work, and was published posthumously. It is set in an unknown location in England as the outbreak of the Second World War looms over the country. It is a play within a play in which Woolf cleverly alludes to certain topics, mostly related to the war: the rise of fascism was important to her, not only because her husband was Jewish, but because she too was on Hitler’s UK death list.
Woolf suffered from severe bouts of mental illness throughout her life, thought to have been what is now termed bipolar disorder and committed suicide in 1941 at the age of 59. In her suicide note she wrote to her husband Leonard:
“Dearest,
I feel certain I am going mad again. I feel we can’t go through another of those terrible times. And I shan’t recover this time. I begin to hear voices, and I can’t concentrate. So I am doing what seems the best thing to do. You have given me the greatest possible happiness. You have been in every way all that anyone could be. I don’t think two people could have been happier till this terrible disease came. I can’t fight any longer. I know that I am spoiling your life, that without me you could work. And you will I know. You see I can’t even write this properly. I can’t read. What I want to say is I owe all the happiness of my life to you. You have been entirely patient with me and incredibly good. I want to say that – everybody knows it. If anybody could have saved me it would have been you. Everything has gone from me but the certainty of your goodness. I can’t go on spoiling your life any longer.
I don’t think two people could have been happier than we have been.”

DHUMKETU Teaser Crosses 2 lac views


A teaser was released of Shakib Khan and Pori Moni's upcoming movie “Dhumketu” on YouTube as part of the promotion campaign to bring the news of the movie to the fans. The teaser contains scenes of Shakib and Pori from various parts of the movie, and includes the controversial material for which the movie was ridiculed over the internet.
Directed by Shafiq Hassan, “Dhumketu” is the story of a love triangle where newcomer Tanha Tasnia will also star. Apart from the duo, Diti, Amit Hasan, Aliraj and many others will be seen in roles of the film.-Star Online Report

JP not seen as opposition in JS: GM Quader

Star Online Report
Jatiya Party leader GM Quader today observed that people do not consider the party as an opposition in the parliament as it is a part of the government.
GM Quader made the comment while addressing a reception programme organised by Jatiya Sangskritik Party for the party’s newly appointed co-chairman and secretary general.
On January 20, Jatiya Party Chairman HM Ershad announced that he appointed GM Quader as the party’s co-chairman and Ruhul Amin Howlader as secretary general.
GM Quader also said Jatiya Party wants to make the parliament more active by playing the role of a true opposition.
“There is no emergency situation in the country. An all-party cabinet is not necessary now. So, JP should resign from the cabinet.”
At present, there are three cabinet members from Jatiya Party – one full minister and two state ministers, GM Quader pointed out.
The veteran leader also urged the government to allow JP to play the role of a true opposition.
“Our first job is to earn people’s trust as an opposition,” GM Quader observed.

First “Rocky Handsome” teaser released

John Abraham is armed and dangerous
The first trailer of John Abraham's next, “Rocky Handsome”, is out and fans are reveling in its all-out action content. Packed with thrill and fight sequences, there is also an attempt to keep the identity of its protagonist a mystery. The film that reunites John and director Nishikant Kamat after their 2011 venture “Force” also stars Shruti Haasan and Nathalia Kaur. It is a loose adaptation of the Korean film “The Man from Nowhere” (2010).
John is introduced in the trailer as a 30-year-old Kabir Ahlawat. The entire clip is about making the lead character a man of mystery. From showing the actor flaunting guns, breaking bones and blowing up things in the first half of the trailer, the end is all about showing his innocent and handsome side. There is also a little girl to re-emphasise that John's Rocky may kill the bad guys but he is a softie at core.
Speaking about the film, John had earlier said, “No one has ever seen action designed like this before in Hindi cinema. With 'Rocky Handsome', we will raise the bar of action in this country.”
Elaborating on the emotional quotient of the film, he had said, “I must draw a parallel here... just like 'Bajrangi Bhaijaan' had a child, even 'Rocky Handsome' has a beautiful kid and more than the action, it's the emotion that people will walk away after watching that film.”
Source: Hindustan Times

Concrete block in city's heart

MOGHBAZAR-MOUCHAK FLYOVER

LGED flouts mandatory approval on flawed layout design; responsible for half a dozen anomalies; still not held accountable
Once built, the 8.70km Moghbazar-Mouchak flyover is set to become a permanent woe for Dhaka, with leading experts describing the Tk 1,219 crore structure as a massive block in the heart of the city.
Around a year into the construction work in early 2014, it was detected by sheer chance that the much-hyped flyover was being built on a grossly faulty layout configuration without vital right-turn provisions and had a number of other flaws with serious consequences.
Now, three years into its construction work, the flyover is found to have an architectural layout design not approved by the central transportation coordination authority, and its detailed design was also not vetted by an independent consultant, sources confirmed. 
The Local Government Engineering Department (LGED), builder of the flyover, ignored the mandatory approval and vetting processes of the scheme's proposed configuration, which has nearly half a dozen critical flaws. The flaws would make the chronic traffic congestion in the project area even messier, said experts.
The LGED did not hold a public consultation on the project either.
It had the design developed in 2005 by a team of three companies.
But, before the project went underway eight years later, the LGED did not get the flawed layout synched to the design of four major mass transportation routes of metro rail and Bus Rapid Transit (BRT), which were recommended in the same alignment in the transport master plan of 2008.
The project has not undergone road safety auditing either even though it is required under the 2005 Guidelines for Road Safety, said official sources.
Even worse, the flaws are beyond correction as scores of gigantic concrete piers and extremely sturdy underground pilings would have to be demolished, which is, according to experts, technically almost impossible and financially a colossal waste.
The project could be seen as a landmark case of governance failure. The LGED pushed ahead without obtaining mandatory approval from Dhaka Transport Coordination Authority (DTCA), which surprisingly is reluctant to hold the LGED responsible.  
“We cannot be hostile towards a government organisation like the LGED. Moreover, the Planning Commission and Executive Committee of the National Economic Council chaired by the prime minister had already approved the project,” DTCA Adviser ATM Helaluddin Nagari told The Daily Star.
DTCA Executive Director Kaikobad Hossain said, “We could not take [legal] action as a ministry was involved.” 
Project Director of the flyover Nazmul Alam, however, said, “The project had DTCA approval.” He stood his ground when mentioned that two officials of DTCA had told The Daily Star that the project did not have its approval. Nazmul didn't show this newspaper any document in this regard.
Against this backdrop, The Daily Star approached eminent transport engineering expert Prof Shamsul Hoque and raised a number of technical questions on the flyover.
Responding to a question, Prof Hoque, who drew the layout configuration of Kuril flyover and Banani-Zia Colony flyover, said, “The flyover will hardly help resolve the chronic traffic congestion in the project area. Instead, it will remain an irreversible and immoveable block to the capital's mass transport systems like metro rail and rapid bus service.”
Even Nazmul agrees on this. “It is true that the flyover will not make any significant contribution to the public transportation service,” he said.
The LGED has expertise in building roads and highways in rural areas, not flyovers in the complex environment of a metropolis. And yet it did not get experts to vet the layout.
The LGED with a decade-old layout plan embarked on implementing the scheme without vetting the configuration in early 2013 and hired a team of Buet experts eight months later to scrutinise only a small part of the construction design.
The experts were asked to do the scrutiny amid the ongoing heavy construction work, underground piling work, and with a number of piers already built.
The Buet team, of which Prof Hoque was a member, voluntarily looked into the entire layout configuration and discovered the gross anomalies in it and drew the attention of LGED project officials.
Sadly, the construction went ahead without any correction, an action that forced the authorities concerned to spread out links and routes of the proposed BRT and metro rail to peripheral areas like Bhulta, Baipal, and Purbachal.
The flyover, instead of resolving traffic bottleneck in Mouchak, Malibagh, Moghbazar, and Shanti Nagar intersections, will exclude the areas from BRT and metro rail services, said Prof Hoque, a technical expert on Strategic Transport Plan (STP) of Dhaka.
The BRT and metro rail are well-thought-out and sustainable transport solutions in the metropolis.
Prof Jamilur Reza Choudhury, who led the advisory expert committee on Dhaka's STP, is also in the dark. “We know nothing about the project design,” he said.
Asked why the scheme was going on without key approvals, Nazmul said, “We are implementing the project with government approval.”
As to why they had not held a public consultation on the flyover scheme, Nazmul said, “It was not required in the approval process.”
Public consultation may not be legally required but it is practised around the world in public interest to avoid major faults and anomalies in any large project, particularly one in a complex urban context, said Prof Hoque, citing examples of Kuril flyover, the BRT, and the metro rail.
Lack of coordination between the flyover and mass transport systems, faulty architectural layout, and inadequate right-turn provisions would have been exposed had it gone through DTCA approval process or a public consultation or an independent scrutiny, said officials concerned.
Heavy traffic of public transport vehicles from Motijheel, Shanti Nagar, Rajarbagh, and Mouchak would have no option to turn right towards Tejgaon at Moghbazar intersection.
Nazmul said, “Right-turn loops could not be built, as it would entail land acquisition and huge demolition.” He said they had to alter the construction design of every foundation piling and pier due to lack of information on underground utility service lines.
Ascending ramps of the flyover have been designed with steeper slopes while the descending ones were less steep, which should have been the other way round, said Prof Hoque. It would make climbing the ramps difficult for less powerful vehicles.
He said the slope of the ascending ramps was “standard” with five-percent ascending ration. But Prof Hoque said anything less than the standard five-percent was more convenient for traffic movement.
The flyover ramps are going to occupy a 21-metre width with three descending and ascending ramps each at Shanti Nagar and Rajarbagh ends, creating bottlenecks and leaving hardly any room for traffic movement, said Prof Hoque, replying to another question.
Vehicles would still have to crawl on a road that would be even narrower.
The flyover would not either reduce the risks at level crossings as most of the traffic would be using the existing roads due to the lack of right-turn facilities of the flyover, said experts.
Pedestrians would have to suffer as foot bridges would need to be removed at Moghbazar and Mouchak and pavements shrunk in Rajarbagh and Shanti Nagar to accommodate the ramps.
LGED 
The LGED approved the layout and detailed design on its own, according to insiders. After the construction had begun, they called in Robert Eves, chief adviser of China Major Bridge Engineering Company Ltd, to oversee the flyover's construction design.
This was done since Eves was not busy with Padma Bridge construction which was stalled then.
Nazmul said they hired Eves to review the entire design, and he examined “both the layout configuration and construction design”. 
Eves had nothing to do with the layout configuration after a decade, said insiders. As a structural engineer, he was assigned to scrutinise the construction design.
The Daily Star could not get LGED Chief Engineer Shyama Prosad Adhikari's comments regarding the matter, especially as to why they did not obtain the DTCA approval.
He neither picked up calls from this paper nor did he respond to texts sent on January 3 and 4.
LGED media consultant Abu Fattah was contacted several times but he could not get this paper in touch with the chief engineer.
Attempted yet again on January 6, Shyama Prosad Adhikari picked up a call at 4:00pm but said, “I am busy in a meeting.” Asked when this paper should call him, he hung up.
Local Toma Constructions Ltd, allegedly blessed by a state minister, Chinese firm Metallurgical Construction Overseas Company, and joint venture of Indian Simplex Infrastructure Ltd, and local Navana Construction are building the flyover.
According to insiders, a state minister pushed the scheme forward to serve the interest of another state minister.

Sohel Taj not returning to active politics


Staff Correspondent
Tanjim Ahmad Sohel Taj, son of country's first prime minister Tajuddin Ahmad, has binned the rumours that he was returning to active politics.
Rumours ran wild among Awami League leaders and workers after Sohel met Prime Minister Sheikh Hasina a couple of days ago. Several media outlets reported that Sohel was likely to be given a key post in the upcoming council of Awami League.
“…I would like to let everyone know that media reports about me re-entering politics is absolutely untrue,” Taj wrote on his Facebook page at 8:21am yesterday.
He said, “I went to meet the honourable prime minister along with my family members to apprise her about the launching of 'Tajuddin Ahmad and Syeda Zohra Tajuddin Memorial Foundation'.”
Sohel, who was made a state minister for home affairs in Hasina's 2009-2013 cabinet but resigned after six months, said his family and he felt the PM's guidance and advice regarding the venture would be invaluable.
“Our honourable prime minister is not only the guardian of the people of Bangladesh but also the protector of the ideals and principles of Bangabandhu and our Liberation War and so it is only natural that we would seek her cooperation and blessings regarding this noble venture,” he said.
As well-wishers and fans continued to post on social media, Sohel again wrote on his Facebook page three hours later: “I understand and appreciate the love and affection that everyone has shown for me and I am very thankful for that and I will be forever grateful.”
Sohel, who lives in Maryland, US, with his family, said, “I feel that I can do a lot of good work for people through 'Tajuddin Ahmad and Syeda Zohra Tajuddin Memorial Foundation'.
“I was, I am and I always will be enshrined by the ideology of Bangabandhu and the Liberation War for which my father dedicated his entire life and made the ultimate sacrifice.
“I am grateful to our honourable prime minister for her love, kindness and support for me, my family, and for the foundation,” he added.
On Saturday night, Sohel along with his sisters Simeen Hussain Rimi and Mahjabin Ahmad Mimi met the PM at the Gono Bhaban.
Sohel resigned as lawmaker on April 23, 2012, and declared that he would no longer be involved in active politics.

Actress Diti’s medical condition unchanged


Parveen Sultana Diti. Star File Photo

Star Online Report
One of the most beloved actresses in Bangladesh, Parveen Sultana Diti, who has been diagnosed with brain cancer, has been brought back to Dhaka from India and admitted to United Hospital in Gulshan.
Her condition has since remained unchanged, confirms the Public Relations and Business Development Officer at United Hospital today.
Diti has been speaking to everyone and is able to recognise them, but after extended periods of conversation she seems to start speaking incoherently, says Dr Shagufa Anwar.
Diti was being treated at the Madras Institute of Orthopaedics and Traumatology but as her condition showed little improvement, she came back home and has been under the supervision of Syed Sharif Ahmed, director of Neuro Science department at United Hospital Dhaka, reports the Bangla daily Prothom Alo.
“We are giving her the best medical care and attention,” said Dr Shagufa Anwar.
After she was diagnosed with brain cancer on 15th July 2015, Diti was taken to Madras Institute of Orthopaedics and Traumatology, India.  When her health condition improved, she was brought back to Bangladesh. But her condition worsened by the end of the year and she was taken back to India in November. As her health did not seem to improve, she was brought back to Bangladesh in January and immediately admitted to United Hospital.

Saturday 23 January 2016

The bright red work of art (and 40 others) now protected

They were designed to bring public spaces back to life after World War Two - it was art for everyone. Now dozens of post-war sculptures are being given listed status.
The bright red, welded steel structure above - at Milton Keynes in Buckinghamshire - appears to defy gravity and the rules of balance.
It was created in 1970 by Bernard Schottlander. He fled Nazi Germany in 1939 for Leeds, where he worked in a factory as a welder while attending evening classes in sculpture.
Working with Historic England, the government has now given his sculpture added protection.
Scroll down and see the 40 other artworks granted Grade II or Grade II* status across England.
Knife Edge Two Piece by Henry Moore, 1967
Westminster, London
This piece is typical of the monumental abstract bronze sculptures that characterised the late career of Moore - one of England's most important avant-garde artists.
Untitled [Listening] by Antony Gormley, 1983-84
Maygrove Peace Park, north-west London

This is one of Gormley's first public sculpture commissions and his first to be listed - as it is now over 30 years old.
It shows a human figure cupping its ear to listen.
Rooted to a huge granite boulder, it embodies the relationship between the interior world of the human body and its surroundings.
Revolving Torsion by Naum Gabo, 1975
St Thomas' Hospital, central London
In the garden of St Thomas' Hospital, across the river from the Houses of Parliament, these abstract curved steel plates form a fountain and used to revolve.
South of the River by Bernard Schottlander, 1975-76
Lambeth, south London
These sweeping curves of stainless steel - south of Waterloo Station - are said to be based on a pair of large, twisted bronze earrings worn by Fulani women in Africa as part of their marriage rituals.
Father Courage by FE McWilliam, 1960
University of Kent in Canterbury
3B Series No 1 by Bernard Schottlander, 1968
University of Warwick

FE McWilliam's totemic Father Courage embodies themes explored by several sculptors in this period of political and social change.
Its name refers to the play Mother Courage by Berthold Brecht, which denounced the horrors of war.
Schottlander's 3B Series No 1 is a large scale abstract collection of bright red geometric shapes.
The university's architects Yorke, Rosenberg and Mardall commissioned art to complement their buildings. Rosenberg felt his "white tile buildings needed colour and visual stimulus".
Declaration by Phillip King, 1961
Beaumanor Hall, Leicestershire

Phillip King spent a year as an assistant to Henry Moore in the late 1950s. He came to prominence in the 1960s as a member of the group of young British sculptors known as the New Generation.
Winston Churchill Statue by David McFall, 1958-59
Woodford, east London
This bronze sculpture - depicting the UK's wartime prime minister in his later years - can be found in the old Woodford constituency which Churchill served as MP from 1945 until 1964.Churchill attended the unveiling and reportedly liked McFall's creation.
Relief of Boys Playing Football by Peter Laszlo Peri, 1951-52
Following the Leader by Peter Laszlo Peri, 1949
Relief of Mother and Children Playing by Peter Laszlo Peri, 1951-52
Vauxhall, south London
Hungarian Peri was largely ignored by the 20th Century British art establishment, which some have attributed to his communist leanings.These three works were commissioned in the austerity years after WW2 on a social housing estate, with Following the Leader created as a poignant dedication to children who lost their lives in the Blitz.
The Miner by Arthur Fleischmann, 1964
St Helens, Merseyside
Construction in Aluminium by Kenneth Martin, 1967
University of Cambridge
Fleischmann's miner incorporates a cutting drum - a genuine piece of mining machinery - and celebrates the technical advances in mining and the strength of man.Originally commissioned by the National Coal Board for its north-west headquarters, it now stands near to the closed Ravenhead Colliery.On the right, Martin's creation is the monumental culmination of his Oscillation series, inspired by the physics of pendulums combined with jazz and other music rhythms.This particular piece is the visual representation of the mathematical formula of jet propulsion, and was made in the workshop of the University of Cambridge's engineering department.
A Celebration of Engineering Sciences by Allen Johnson, 1963
University of Leeds
The crowning glory of the Mechanical Engineering Building at the University of Leeds, the dynamic shapes symbolise the struggle between man and machine.It is made from lightweight glass fibre-reinforced polyester (GFRP) shaped from handmade clay moulds.
The Story of Wool by William Mitchell, 1968
Ilkley, West Yorkshire
 Made from glass-reinforced plastic, this is a stylised flock of sheep complete with careful detailing of their curled horns, cloven hooves and thick fleeces.It was commissioned for the new Technical Centre of the International Wool Secretariat, an organisation established to promote the use and trade of wool in response to the increased use of synthetic fibres in the mid 20th Century.
The Symbol of Discovery by John Skelton, 1963
Chichester, West Sussex
A pair of large, rough-hewn hands emerge from cobbled ground clasping a precious golden stone.The piece was designed as part of a restoration project that transformed nearby redundant buildings into a museum.
The Leaning Woman by Karel Vogel, 1959
Hammersmith, west London
The Preacher by Peter Laszlo Peri, 1961
Forest Gate, east London


Both these examples appear gravity-defying.Vogel's Leaning Woman is tilted and twisted into an intriguing arrangement of parts, so it can be viewed from several sides.Peri's Preacher - a striking, long-limbed figure grasping a prayer book - is made up of a dark, textured mix of concrete, resin and metallic powders developed by Peri and dubbed Pericrete.
Lesson by Franta Belsky, 1956-57
Bethnal Green, east London
Gorilla by David Wynne, 1962
Crystal Palace Park, south London
Family groups were a popular theme for public space artworks in post-war Britain, and it was a sketch of his friend teaching her adventurous baby son to walk that inspired Czech-born artist Belsky.Wynne's hulking marble sculpture depicts Guy the Gorilla, a popular resident at London Zoo and something of a national treasure from the 1950s through to his death in 1978.
Rosewall (Curved Reclining Form) by Barbara Hepworth, 1960-62
Chesterfield, Derbyshire

This was named after a hill in Cornwall which is surrounded by ancient stones worn by the weather."The stone is myself," Hepworth said, "looking out to the Atlantic with the sound and smell of the sea."
Winged Figure by Barbara Hepworth, 1963
Oxford Street, central London
Single Form (Memorial) by Barbara Hepworth, 1961-62
Battersea Park, south London


Hepworth's Winged Figure is an Oxford Street landmark.Unusually, it is in the same position and context for which it was originally intended as a commission - for the John Lewis department store.Single Form was Hepworth's personal response to the death of her friend, the UN Secretary-General Dag Hammarskjold - who was killed in a plane crash while on a peace mission.It was the model for a much larger version outside the United Nations Secretariat building in New York.
Zemran by William Pye, 1971
South Bank, central London
London Pride by Frank Dobson, 1951
South Bank, central London

Zemran is part of Pye's series of geometric sculptures made in tubular stainless steel.Dobson's London Pride - two serene, voluptuous female figures - was commissioned for the Festival of Britain in 1951.Originally made of plaster and finished in gun metal - which reflected post-war austerity - it was recast in 1986 in bronze at the behest of Dobson's widow.
Horse and Rider by Elisabeth Frink, 1975
Piccadilly, central London
Figurative sculptures of animals dominated Frink's work, and this man and horse is now found surrounded by coffee shop tables, opposite The Ritz.
Donkey by Willi Soukop, 1955
Harlow, Essex

This little donkey stands at the heart of a housing scheme in Harlow - one of the post-war new towns.It was created to encourage children to explore art through play - the donkey's back has been worn to a shine.
Help! by FE McWilliam, 1976
Portrait of Elisabeth Frink by FE McWilliam, 1956
Wild Boar by Elisabeth Frink, 1970
Harlow, Essex
The left-side image depicts two women caught in a bomb blast, holding a banner with the word "HELP".McWilliam was Northern Irish and he created Help! in response to the Troubles there - with particular reference to the bombing of a Belfast tea room in March 1972.When Elisabeth Frink was asked why FE McWilliam's life-size bronze portrait of her carried no inscription, she remarked "one can't be labelled until one is dead".Frink's own Wild Boar sculpture was one of her first major public commissions for the pioneering Harlow Art Trust.
Sigmund Freud Statue by Oscar Nemon, 1970
Hampstead, north London
Statue of Artist Augustus John by Ivor Robert-Jones, 1964-67
Fordingbridge, Hampshire


Created by Croatian-born artist Oscar Nemon, the bronze sculpture of the founder of psychoanalysis is a public memorial to him and his residence in this part of north London.On the right, the portrayal of the eminent artist Augustus John sits on the banks of the River Avon in Fordingbridge - where he lived for the latter part of his life.
Ritual by Antanas Brazdys, 1968-69
City of London
Ventilation Shaft Cover by Eduardo Paolozzi, 1982
Pimlico, central London
Brazdys' seemingly gravity-defying set of weighty, stainless steel forms appear effortlessly balanced on top of each other.It was one of the first abstract works of public sculpture in the City of London.Paolozzi's interest in machines and technology influenced his work, and this cast metal sculpture covers a London Underground ventilation shaft.
The Spirit of Electricity by Geoffrey Clarke, 1961
Westminster, central London

This sharp, dynamic sculpture cast in bronze originally lit up.Commissioned by Thorn Electrical Industries for their headquarters in London, it is said Clarke came up with the design after studying old light bulb filaments.
Witch of Agnesi by FE McWilliam, 1959
University of Greenwich, south-east London
St Thomas a Becket by Edward Bainbridge Copnall, 1973
St Paul's Cathedral , City of London


Witch of Agnesi hovers like an apparition above a still pool of water, where its varied forms are reflected and distorted.The title refers to a mathematical curve defined by Maria Agnesi, an 18th Century Italian Mathematician.Bainbridge Copnall's work depicts Thomas Becket at the moment of his murder inside Canterbury Cathedral.It was created to mark the 800th anniversary of his martyrdom.
Pan Statue by Jacob Epstein, 1958-59
Knightsbridge, London
Also known as Rush of Green, this work depicts a family and their dog rushing eagerly towards Hyde Park.They are urged on by Pan - the Greek god of the wild, shepherds and flocks.
Eagle Squadrons Memorial by Elisabeth Frink, 1985
Mayfair, central London

Atop an obelisk in Grosvenor Square Gardens sits an American Eagle.It commemorates 244 US citizens - plus 16 British fighter pilots and other personnel - who served in three RAF Eagle Squadrons prior to the participation of the US in WW2.
Prisoner of War Memorial by Fred Kormis, 1967-69
Dollis Hill, north London

Kormis explored the themes of freedom and captivity. Here, he created five male prisoners, each in a different stage of emotional turmoil.German-born Kormis was himself a prisoner-of-war during World War One. He and his wife fled to the UK when Hitler came to power in the 1930s,